A magazine about polyrhythms and mathematical relationships in music and color theory.

This magazine deals with the subject of order in music. Inspired by a talk by Adam Neely at the Loop Festival, it explores how order, in the sense of rhythm and mathematical relationships between tonal intervals, can create musical harmony. It also explores whether this system can be applied to color theory.

In addition, the concept of decoupling rhythm from the given grid of notation is discussed. Based on an article by Malcolm Braff, it describes how a different sense of rhythm can be created by interpolating two rhythms.

The design of the magazine is based on the concept of "harmonic relationship" and therefore has a 2: 3 format. In addition, the title pages are always designed as a visual analogy to the content of the chapter.

Fonts:

• Pilowlava by Anton Moglia & Jérémy Landes
• Nothing You Could Do by Kimberly Geswein
• Roboto Mono by Christian Robertson
• FF Meta by Erik Spiekermann

Software:

• Indesign, Illustrator

Further Research:

• Trou Noir poster
• Trou Noir concerts